简介: Itwasafatefulcoincidencethatin2014,justwhentheAllardPiersonMuseuminAmsterdamwasstaginganexhibitionofCrimeanartworks,Russiaannexedtheregion.Sonowthequestionarisesofwhoshouldtheartworksbereturnedto?TothemuseumsinCrimeawhohadbeensokindastoloanthemout?OrtoUkraine,perhaps,thecountryCrimeabelongedtobeforetheannexation?Whatshouldthemuseum’sdirectorWimHupperetzdo? VeterandocumentaryfilmmakerOekeHoogendijk(TheNewRijksmuseum)isjustthewomanforthejobwhenitcomestoturningthiscomplexissueintoanexcitingfilm,andfindingthehumandimensioninatangledjudicialtug-of-war.Political,emotional,personal,cultural,andhistoricalinterestsalljostleforpositionaslawyersarguingfromapurelyjudicialperspectivepresenttheircaseanddistressedmuseumdirectorsfacebiggapsintheircollections. WhilearchaeologistsinCrimeacontinuetheirgroundbreakinghistoricalwork,itlooksliketheirpreviousfindsaregoingtobere-buriedintheNetherlands—shutofffromtheworldinawarehouse,theyareperhapsthebiggestlosersinthisconflict.
郎朗,袁丁,陈其钢,戈蒂埃·卡普松,马克西姆·文格洛夫,汉努·林图,洛朗·贝尔,克里斯托弗·达内,埃里克·皮卡尔,常静,孟萌,亚历山大·布洛赫,马库斯·史坦兹
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阿尔弗雷德·布伦德尔,埃尔莫利拉·亚霍,Jean-RodolpheKars
林娜琏,平井桃,俞定延,凑崎纱夏,名井南,朴志效,金多贤,孙彩瑛,周子瑜
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塞斯·罗林斯,亚历克斯·霍诺德,Mark·Rober,Elle·Duncan,Emily·Harrington,Pete·Woods
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